Nobody's Perfect
- From:
- Paris, France
- Joined:
- over 3 years ago
Bio
Nobody’s Perfect is the history of successive meetings, as it is often the case in the musical field. Meetings between musicians who continue the same idea of the music and of it with what would resemble the ultimate piece and parfait.Rencontre between a type-setter and the author who resembles to him. On the councils and the desire of his accomplice of the beginnings, his appointed author, Floyd undertake into 2003 to work on a project of music combining electronic and acoustic instruments, album concept whose composition must remain deeply melody, and whose voluntarily purified texts are articulated around two central characters, a young artist and his pygmalion. The starting point and the discussion thread of the project, consisted in creating theoriginal one of an imaginary film, while paying homage to the large type-setters of film besides music (one of the titles borrows ’ Lujon’ of immense Henry Mancini), by preserving nevertheless the simplicity and the diagram of a music popular, very melody, between the simplicity of the magnet-pop tubes of the years 70–80 and the rock’n’roll visionary of groups as Archive, than the members of the group do not weary themselves to admire. Later and some models under the arm, and after having forced the door of some majors, interested parties, with listening and under the charm but engoncées in their logic of immediate profitability, Nobody’ S Perfect meets blow on blow: an editor with listening and a beater in the blow! The meeting with the editor (Music Fauna) will in particular enable them to be reproduced on electronic compilations, to produce 6 titles in studio, and to present Marco at Floyd, which becomes the beater of Nobody’ S Perfect and which did not cease since taking part to work out, refine and specify its Nobody’ S Perfect. Nobody’ S Perfect is thus a collective in constant change. Floyd, Marco, T-burce and others took part in its evolution, but not only: it was significant with the eyes of the members of the collective, to insufflate with the project the creative breath artists come from other horizons. One finds thus in the pieces of Nobody’ S Perfect, the very characteristic voice, crystalline and come besides from Emily Loizeau, and François Even, accessory to Floyd on other projects and brilliance bass player of Rachid Taha and Superbus, also takes part in the project. Much was allured by the musical quality group and its capacity to give birth to from the images in the brain of the listeners… We hope that you will belong to this imaginary film, which continues to be written each day…
